Essential Robert Indiana
Authors: Martin Krause and John Wilmerding
Publisher/Date: Indianapolis Museum of Art/Prestel (c. 2013) First Edition. NAP. Published on the occasion of the exhibition.
Format/Condition: New hardcover book in Fine condition. 152 pages, index; 10 x 12 x 0.95 inches. Lavishly illustrated with 65 color reproductions plus several black-and-white.
Description: Decoding Robert Indiana's work for a new generation, this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker. Famously proclaiming himself to be "an American painter of signs," Robert Indiana has created an enormous body of work, much of it boldly colored abstractions. In this incisive new examination of the artist, based on ongoing conversations with Indiana, art historian Martin Krause sifts through autobiographical clues within the artist's work and finds a wealth of affecting and affectionate references to Indiana's childhood, literary heroes, and the cultural icons of his generation.
In addition, a penetrating essay by Pop art scholar John Wilmerding deconstructs Indiana's use of geometric shapes, making unexpected connections that enhance Krause's thesis. Accompanied by 65 color reproductions from the period 1960-2010--and focusing specifically on series such as Decade: Autoportraits, Vinalhaven Suite, and The Hartley Elegies as well as the iconic "Love" (1967) and politically inspired "Hope" (2009) images and studies of Marilyn Monroe, Picasso, and the Brooklyn Bridge--Krause's decryption of Indiana's visual language provides telling insight into the work of this quintessentially American artist.